In Which We Solemnly Vow to Never Use the Word "Hipster" Again
| You see yourself in here somewhere, hipster. Via YesButNoButYes. |
| You see yourself in here somewhere, hipster. Via YesButNoButYes. |
The Independent Film Channel has finally followed hipster-mocking to its logical conclusion: a television show based entirely around lampooning the death of Western civilization and a group that "did not yield a great literature, but it made good use of fonts." (Oh, you thought it was all about black frame glasses and skinny pants? You have a lot to learn, my friend!)
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| Photo from Look At This Fucking Hipster |
It seems everyone on the Internet is currently either ragging on hipsters or arguing they don't exist. Even Joe Mande, the Williamsburg comedian whose hugely popular (and hilarious) Tumblr blog, Look At This Fucking Hipster was recently made into a book, got in on the cool-kid slamming in an interview in Salon.com recently:
Interviewer: "Why do you think there's this widespread hatred for hipsters?"
Mande: There's something about people acting like children and having what seems to be no real serious problems in their life that people find annoying."
The hipster has become just another stereotype based on a set of assumptions. Mande calls them "rich white trash ... college-educated babies" who drink PBR and wear handlebar mustaches. It's almost like hipsterism is some kind of social plague that must be ridiculed into oblivion: Fight the mustached! Outlaw asymmetrical bangs! No more irony!
Fuck that. It's time we stood up for being hipsters. We should begin by refuting idiotic stereotypes like Mande's. Hipsters are all kinds of people, from the brilliant, employed, and broke to the drugged-out, lazy, and rich. I have hipster friends who are studying for Ph.Ds in sciences I'm barely aware of, and I have hipster friends who, um, work at Urban Outfitters. I have hipster friends who lead nonprofits. I do not have any hipster friends with trust funds.
Rather than hating it, as Mande's interviewer assumes, the general public is learning to love hipster culture more. I mean look around: Pitchfork-lauded bands like Grizzly Bear, Animal Collective, and Spoon are now reaching the mainstream of rock, "indie" prefix or no. American Apparel is the new Gap, as even Gap's new, Helvetica-heavy ads admit. Pabst Blue Ribbon has a goddamn iPhone app. Hollywood's leading men sport Buddy Holly glasses at the Oscars. Phoenix is big enough to sell Cadillacs.
What people like Mande seem to dislike about hipster culture is an incorrect belief that it doesn't stand for anything: It's not explicitly political, it's not vehemently opposed to the mainstream (even if it does wince at it). To them, it's just a fashion.
Actually, hipsterism is an idea of how to live though culture. The hipster ideal is a meta-awareness of cultural knowledge and experience, fueled by Web-oversaturation and hyper-eclectic taste in everything from food to clothing to music. Hipsters are ominvorous cultural scavengers, people willing to sift through $1 record bins and the dusty shelves of thrift stores to try and make something fresh out of something old, and to find the best of what's new. More than skinny jeans and tall boys, hipsterism is about taking the forgotten and under-appreciated and recombining it into something cool and different.
Mande does get one thing right: The goal of all this dustbin trolling, creative remixing, and Web obsession is partly "to stretch out adolescence as far as it'll go." Hipsterism is kinda like adolescence with better style, more access to alcohol, and the right to vote (oh, and rent bills). But hey, it's also more interesting--not to mention fun--than being a crabby, boring adult.
| Pic via Gizmodo |
Funny little spoof on Where the Wild Things Are, stupid vests, vegans, being over it, Los Angeles hipster bars, smoking American Spirits, music snobbery, and much more...
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Afrobeat's Ancestor: Fela Kuti
It's hard to think of a more iconic artist than Fela Anikulapo Kuti. The founder of Afrobeat, who famously proclaimed "music is a weapon," was both a voice of progressive social change--and often uncomfortably-honest socioeconomic critique--and a musical visionary. Fela's fusing of traditional Yoruban music with American jazz, R&B and funk was ahead of its time, as evidenced by the flowering of the Afrobeat genre a decade after his death and the influence Fela's music has had on a generation of artists--including Afrobeat revivalists (including Kuti's sons Femi and Seun), hip-hop and reggae aficionados, and electronic music heads.
This Saturday, Café du Nord turns into a mini-shrine to Fela, as DJ Jeremiah (aka Mr. Afrobeat) presents a Kuti birthday celebration, featuring a live performance by Afro-soul artist Siji, plus DJ Said and Jeremiah himself. If you like endless grooves with thought-provoking messages,this one's for you.
The fascinating subcultural (and frequently subterranean) world of graffiti art surfaces this week, as the third annual Estria Invitational Battle, organized by Bay Area spraycan art legend Estria (in conjunction with Marc Bamuthi Joseph's Living Word Festival), gets underway. The festivities begin tomorrow with the Can Film Festival, a free event at the 1:AM SF Gallery featuring screenings of the films "Style Wars" and "Bomb It," and an illustrious panel including moderator Jeff Chang, Estria, Suzie Lundy and Kevin Epps. On Friday, Pecha Kucha Night at East Side Arts Alliance in Oakland presents "Don't Sweat the Technique," an exhibition/discussion featuring 10 graffiti artists showing 20 slides, promoting social change. On Saturday, Oakland's deFremery park becomes ground zero for the culminating event, the Estria Invitational Graffiti Battle, bringing together 16 of the nation's top graffiti artists, as well as workshops and a black book battle.
One of the best things about living in the SF Bay Area--as opposed to say, Bumfu*k, Idaho--is that it's recognized as a cultural center and tastemaking place. Case in point: the Beat Machine tour, a Scion/Turntable Lab-sponsored jaunt through six major cities (including the Sucka-Free, natch) in support of the recent Beat Machine album. The SF edition features three of the hottest urban music producers around: Wajeed (of Platinum Pied Pipers), Blujemz (of Da Hardy Boyz) and Ge-Ology (Blackstar). It's goin' down tonight at 330 Ritch's "PST," which continues to be one of the more interesting Tuesday night weeklies in the whole entire universe! No, seriously. Quote me on that, if you must.