In Print: the Subversive Beauty of tUnE-yArDs, Del the Funky Homosapien's Trip to Hip-Hop's Past, and More
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| Merrill Garbus of tUnE-yArDs |
On tUnE-yArDs: Welcome to the edge of experimental pop in 2011. Garbus has just seen the release of tUne-yArDs' second album, w h o k i l l, which seems all but certain to accelerate her rise from DIY curiosity into one of the most interesting artists making music today. She has gone from playing small house shows across the country to opening for Dirty Projectors, performing in front of 17,000 at the Hollywood Bowl, selling a song for a BlackBerry commercial, and getting noticed by The New York Times and Rolling Stone. She's thrilled about it, of course, but along the way, the socially conscious Connecticut native has ruminated deeply over every move -- from even deciding to concentrate on her art at all, in lieu of, say, becoming a doctor or a pro bono lawyer ("It's something very recent for me to be like, you know what? Forgive yourself, you have to do this"), to allowing herself to exhibit her love for African music: "When I started tUne-yArDs ... I made a decision to forgive myself for what sounds were coming out," she says. "When I give my influences, I give who they really are: I took this yodeling style from Central Africa, and I took this chordal harmonic sense from Hukwe Zawose in Tanzania. It seems like a tightrope walk of sorts, because one could accuse me of political correctness in the same breath as thievery of African musical traditions."
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| Del the Funky Homosapien |
Also, we recommend shows from the Go! Team, Kurt Vile, and Lil B.
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