Daniel Patterson: S.F. is Killing the Upscale Neighborhood Restaurant

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fOtOdOjO/Flickr
We started out seeking to challenge the current meme that Oakland is the new locus of Bay Area chef talent. (In the East Bay Express, Carolyn Jung even called it America's next great dining destination.) We thought, sure, a handful of chefs are opening second restaurants in O-Town. And despite Commis, could the East Bay city we love for taco trucks and Lao food ever really challenge San Francisco's fine-dining dominance? We turned to Daniel Patterson, Coi chef and owner, Cane Rosso co-chef (with Lauren Kiino), and -- when Bracina (another Kiino partnership) opens in Jack London Square sometime in early 2010 -- a bridge straddler. Patterson lives in Oakland, too.

Our question: Though Oakland might be prime ground for the casual eatery Bracina is planned as, could the city support a place with cooking as finely honed and deeply thought as Coi's? Frankly, we expected Patterson to say no. His actual answer was more nuanced -- and more disturbing for S.F. diners -- than we ever imagined. According to Patterson, city policy decisions like minimum wage and Healthy San Francisco have doomed all but a tiny handful of fine-dining restaurants -- something N.Y. chef David Chang recently seconded. It's depressing: Daniel Patterson, a guy who's arguably San Francisco's most intellectually rigorous chef, thinks the city is annhilitaing the upscale neighborhood restaurant.

Hey, S.F. diners: Get your FasTrak transponders here. Looks like you'll be making more than a few trips to Oakland.

SFoodie: Would you ever open a restaurant like Coi in Oakland?
Patterson: It would be hard to open a restaurant like Coi in San Francisco today. When Coi's gone I would be really surprised to see another one like it.

Because the economics of fine dining don't make sense anymore?
I'm sure Thomas Keller could always make it work here. I have 10 people in the kitchen, about a one-to-two ratio of staff to diners. San Francisco has become a very difficult place to have any restaurant, because of the policies that the Board of Supervisors put in place. They didn't anticipate what would happen with things like the minimum wage increases, with no tip credit. What happens when the minimum wage is $12? Or $15? Product costs keep rising, especially for things like pastured meats and organic vegetables. Rents are still pretty steep. The restaurant model that we all knew no longer exists -- the Supervisors took it and crumpled it into a little ball.

Will Payne Was Hungry for Radio Food Talk, So He Created Sound Bites

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Payne: Feeding the unmet appetite.
These days, radio is a medium often relegated to background noise -- buzzing through the kitchen, perhaps, as you prepare dinner. That's why it's so nice of Will Payne of Pirate Cat Radio to host Sound Bites, a fine, filling radio show about food you can really sink your ears into. The program features interviews with local culinary heroes as well as sweet sets of food-themed music. Secret dinner maestro Leif Hedendal, Chad Newton of Fish & Farm, and Letitia Landa of La Cocina have recently appeared; between fat-chewing, the tummy-rumbling tunes of note have included "Vegetables" by The Beach Boys, off Smile, and "Yam, the King of Crops" by The Mountain Goats.

We asked Payne how he got started, and he broke it down like a brittle hunk of old Halloween candy: "There's very little radio programming covering food, from NPR down to smaller local stations, and I saw an unmet appetite," he said. Payne suggested that cooking is a conversation, shaped by what he called "anecdote, memory, quotation, and riffing off the atmosphere of where you are, who you're speaking to." Catch the conversation at 87.9 FM Sundays, 5-6 p.m., or listen online.

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Melissa Perello of the Castro's Long-Awaited Frances: The SFoodie Interview

Melissa Perello was born in Nutley, N.J., lived in Houston, and went to cooking school in upstate New York, but San Francisco is where the 32-year-old chef formed her restaurant bones. She arrived here fresh from the Culinary Institute of America in Hyde Park, N.Y., to gig with mentor Michael Mina at Aqua. She later moved to Aqua's sister eatery, Charles Nob Hill, to work alongside Ron Siegel, eventually moving up to executive chef.

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Perello: Not feeling S.F.'s raging pig cult.
It was at Charles that Perello's California-inspired French cuisine won her a trophy case worth of accolades; 2002 Chronicle Rising Star Chef, three James Beard Rising Star nominations (2002, 2003, and 2004), and a spot on Food and Wine's list of best new chefs for 2004. She joined Fifth Floor as executive chef, and snagged a Michelin star in 2006. And yeah, that was Perello (with friend Anna Wankel) racing across San Francisco this summer in the hometown episode of Food Network's Chefs vs. City, battling Chris Cosentino and Aaron Sanchez.

Mondays, Perello's been drawing foodies to Sebo in Hayes Valley, for ingredient-driven menus with a whiff of American rustic. But these days, she's in the final throes of opening her own place in the Castro, Frances (3870 17th St. at Pond) -- look for it to open around Thanksgiving. It's named after her grandmother, with whom she spent summers cooking in Northern Texas. After the upscale settings of Aqua, Charles Nob Hill, and Fifth Floor, Perello is eager to offer seasonal American cooking, showcasing artisanal products from Northern California farmers, in a neighborhood setting.

SFoodie: What definitive moment made you realize you had to be in the kitchen?
Perello: No true definitive moment, really. I was just always a very strangely focused kid -- knew I wanted to go to culinary school by the time I started high school. My mom has a story she loves to tell of how she came home from work one day to find me boning out a leg of lamb. I was like 10 or something. I would watch cooking shows 24/7 (such a dork!) and try to re-create them for dinner. My grandmother Frances (the restaurant's namesake) was a big encouragement. I would spend summers with my grandparents and she was always cooking, me at her side, peeling, rolling, cutting, etc.

Flavors, ingredients, or techniques you have an irrational attachment to?
I'm big on braising or roasting almost anything you throw at me. If all else fails I love to throw it in the oven with a fair hand of seasoning, a little olive oil, and cook until the flavors of a slow oven make the ingredients shine.

Most overrated ingredient in S.F?
Pork everything ... not that I'm not a fan, a huge fan, cuz I am! And I cook much of it myself. Just a little oversaturated with hog exposure.

San Francisco's Hottest Chef Dudes

Ever dated a chef? It can be a dysfunctional slog: enabling his 12-hour work days, waking up at 1 a.m. to a kitchen of his work buddies doing Fernet shots around the dinette, and living through the perennial reek of garlic on his fingers. But seriously? We'd put up with all of it -- every last blast of clammy, line-cook sweat-stink on the chef's jacket he drops on the floor before staggering into bed - for a chance to call one of these San Francisco chefs our boo.


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Jesse Friedman/Beer & Nosh
Anthony Myint
1. Anthony Myint
Even if the founder of twice-weekly pop-up Mission Street Food wasn't so damn saintly (MSF turns over its profits to charity) we'd still totally worship him. How does any chef find the time to be so good -- and do all those bicep hammer curls?

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Karenyung/Flickr
Mourad Lahlou
2. Mourad Lahlou
With eyes as deep as the flavors in a long-braised lamb shank, the Moroccan-born chef-owner of Aziza turns our insides into couscous. And, um, yeah -- we totally cropped out the woman in the picture above.

Tags: chefs

Il Cane Rosso's Lauren Kiino: The SFoodie Interview

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Kiino, working the Cane Rosso lunch line.
We confess: We have no clue what the hell environmental geologists do. But if studying to be one means you walk away with an acute understanding of stuff like terroir, and how foods grow, then it was the perfect education for Lauren Kiino. The 37-year-old chef is partner with Daniel Patterson in Cane Rosso in the Ferry Building and Bracina, slated to launch this winter in Jack London Square. Along with Patterson -- a kind of mentor -- Kiino is becoming one of the city's most visible actors in the kind of source-centric cooking that originally sprouted in northern Cali.

Raised in Grand Rapids, Mich., Kiino graduated from Amherst College in the mid-'90s with a degree in geology. Though she worked as an environmental geologist in Chicago and Boston, truth is, she was fixing for a job in the kitchen -- even, as it turns out, a job with no paycheck attached. In 1997, Kiino went to work as an unpaid volunteer at East Coast Grill, Chris Schlesinger's fire-happy New American place in Cambridge, Mass.

A year later, she moved to San Francisco and found work at LuLu. In '99, she moved up Delfina, Craig Stoll's mashup of Northern Italian culinary gestures and Chez Panisse sourcing. Kiino eventually became chef de cuisine. While there, he stage'd at Da Delfina and Da Caino, Tuscan restaurants that are actually, like, in Tuscany. By 2007, she'd left Delfina, kicked around a bit at Boulette's Larder, Rubicon, the French Laundry, and Patterson's Coi. Il Cane Rosso opened in July -- the name comes from Kiino's red-brown dog, a three-legged rescue mutt named Cody. In our Q & A with Kiino, she talks about her passion for pickling, argues that music in the kitchen is a mistake, and suggests why the cupcake trend might be way past stale.

SFoodie: What definitive moment made you realize you had to be in the kitchen?
Kiino: I think it was my first real restaurant job working at the East Coast Grill in Cambridge, Mass. More than a single moment, I realized over the course of a couple months that I loved being part of a fast-moving, well trained kitchen, looking out to our customers eating the food that we had just cooked. It was a really amazing experience to make a plate of food and then have an immediate and direct connection to someone eating it. I loved the fact that I was able to make the same dish over and over, and each time was a chance to make it better.

Flour + Water Pizza Chef Jon Darsky: The SFoodie Interview

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Before he was a pizzaiolo, Darsky scouted talent for the KC Royals.
Go ahead, call Jon Darsky a pizzaiolo, though the Flour + Water pizza maker really prefers "dough guy" instead. Since opening last May in the Mission (2401 Harrison at 20th St.), the restaurant has stayed smoking hot, and Darsky's prowess with a peel has made it as far as the pages of the New York Times (a recent piece called him a "skilled operator"). Still, the 30-year-old dough guy has kept a profile practically on par with a prep cook's. For Darsky, it's less about the glory and more about the grind.

"I enjoy the entire process," Darsky says, "from making the dough to conceiving of different topping combinations to the actual cooking." But mostly, he says, it's about finding fulfillment in the creative process itself.

A native New Yorker, Darsky says he's been a fan of both pizza and baseball since he was a boy. He cites the L.A. Dodgers win in the 1988 World Series as a crucial life event (the club's lingering whiff of Brooklyn was enough to make them seem like the home team). After a stint playing college ball at Tulane, Darsky turned scout for the KC Royals. He worked a kind of de facto six-month apprenticeship at Charlie Hallowell's Pizzaiolo in Oakland as prep guy and dough maker before moving on to Pizzeria Delfina. He was the opening pizza maker at Flour + Water, working with chef Thomas McNaughton.

Borrowing a phrase from A.J. Liebling, Darsky calls cooking the sweet science. "It's a simple yet creative that produces something tangible that not only am I proud of," he says, "but that I can give to people." Talk about seriously delicious dedication. -- John Birdsall

SFoodie: How'd you find your way to the kitchen?
Darsky: After synagogue in Oakland, I drove to Pizzaiolo and asked them if they needed someone to help with the pizza. They said yes, and I eventually got the job making pizza dough, washing broccoli rabe, and overcooking beets.

Bi-Rite Butcher and Charcutier Morgan Maki: The SFoodie Interview

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Maki: Can't resist mackerel.
Morgan Maki's duck liver pâté changes lives. The in-house butcher for Bi-Rite Market has what fans consider epic charcuterie skills, plus an understanding of animal anatomy he shares with students in lamb-butchery classes at 18 Reasons, the Bi-Rite spinoff Maki helped found.

Maki was born in New Orleans in 1982. In Missouri, he landed work at a couple of reasonably fancy restaurants, washing dishes, moving up to prep. Maki says he learned to work hard, "cut the shit out of myself a couple of times," and came away with arms splotchy with burns from a deck oven. He says the kitchen was a place where he got yelled at a lot, but it also seared him with a sense of urgency and a fierce work ethic.

In Greensboro, North Carolina, he got a taste of fine dining at a place called Mark's on Westover. He says he "raised a bunch of hell, started to realize that being a cook wasn't just what I did to get paid." It was a realization that sent him to New England Culinary School in Burlington, Vermont, where, he says, he "got his shit together." He worked every shift possible, read everything he could about food, and was taken in by instructors he considers great. It was on to Boston, and work at a couple of restaurants that taught him the kind of serious technique and discipline required to excel in a big French brigade.

At the Rainbow Ranch Lodge in Big Sky, Montana, he learned the business of running a kitchen. He moved to San Francisco to manage Quince, where he opened the kitchen every morning, made stocks and sauces, and did butchery and charcuterie. He took the butcher's job at Bi-Rite about a year and a half ago, and later helped launch 18 Reasons. "I'm just trying to keep it real," he says.

SFoodie: Flavors, ingredients, or techniques you have an irrational attachment to?
Maki: Lately I have been into using the smoker for cooking mortadella and garnishing with toasted caraway seed. I like the smoky rye thing that happens, the two flavors seem to work well together -- I guess it is not a very irrational attachment. I do compulsively tie off everything I roast, always shave garlic with my knife at a 45-degree angle to my cutting board, and I have a bit of a problem with always ordering mackerel, deep-fried potatoes, and /or chicken liver anytime I see them on a menu.

Erica Holland-Toll: At Ducca, an Italian Sensibility That Doesn't Always Hew to Tradition

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Schodts/Flickr
A new chef is skewing Ducca more Cal-Italian.
In June, ex-Lark Creek chef Erica Holland-Toll took over from Richard Corbo as exec chef at Ducca in the downtown Westin Hotel (50 Third St. at Market). Three months and a San Francisco Chronicle review later, the 33-year-old chef has settled in. She recently spoke with SFoodie about making the jump from New American to Italian regional.

Holland-Toll learned seasonal cooking at her mother's knee, helping with the chores at their huge garden in Arnold, California ("a beautiful, tiny, blink-and-you-missed-it mountain town in the Sierra Nevada"), and peeling peaches and prepping vegetables for canning. Culinary school in Seattle followed. She worked with Jan Birnbaum (currently cheffing at Epic Roasthouse) at Sazerac in Seattle. "He's really my mentor," she said "He introduced me to farmers' markets and how to build a menu around seasonally available foods."

After a stint in Chicago at Savarin, a French bistro, Holland-Toll returned to the Bay Area to cook with Birnbaum at Catahoula, worked with Laurent Gras at Fifth Floor, and Traci Des Jardins at Acme Chophouse. She helped to open the Americano at the Hotel Vitale. "I went to Italy for the first time, and really fell in love with Italian food," she said. She was the last executive chef at the Lark Creek Inn (which closed in April to re-open with a new name -- the Tavern at Lark Creek Inn -- and more casual menu).

Soul Cocina's Roger Feely: The SFoodie Interview

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djrajah/Flickr
Feely at a recent street-food event in Ritch Street.
Go to any street-food party in the Mission, and it's likely Roger Feely's there, turning out some of the most polished and straight-up delicious food -- typically South Indian, occasionally Yucatecan -- on the city's streets. No wonder: The 34-year-old Soul Cocina vendor has a long and diverse career as a working chef, starting as a teenager growing up in a western suburb of Chicago. These days Feely juggles commitments -- besides Soul Cocina, he's behind the stoves at Kitchenette, caters for Living Room Events (Kitchenette's sib), and teaches seriously from-scratch cooking classes for kids at John Muir Elementary and Wallenberg High for the Beacon Center (Feely's appearance at Mission Street Food earlier this month was a benefit for the nonprofit Beacon Culinary Project).

"It's about just bringing in real food," Feely explained. "Just getting the students to put their hands on real food, not packaged, not processed. Food that comes directly form farmers."

Feely cites S.F.'s mix of food and Latino cultures that first lured him here in 1999. He landed a gig as pastry chef under quirky local icon Albert Tordjman at now-defunct Flying Saucer. Feely left town for a stint in Santa Fe. Back in S.F., he cheffed at underground dinners, and worked as a cooking instructor for Sur La Table and Hands on Gourmet. He was pastry chef at Citizen Cake. At a five-star hotel in Goa, India, Feely worked two semesters as a culinary instructor and kitchen consultant. His relationship with the hotel's Indian cooks was mutually enlightening. "I would teach them how to make croissants, and in return I'd get to learn how to use a tandoor," he said.

Fish & Farm's Chad Newton: The SFoodie Interview

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Jesse Friedman/beerandnosh.com
Chad Newton: Wants Gordon to keep yelling.
Growing up in Mountain View, Chad Newton got an early taste of restaurant glory via family trips to Stars, Jeremiah Tower's watershed Cali brasserie. "I used to always gravitate toward the regular menu, not the kid's menu," Newton said. He graduated from the Restaurant Management program at S.F. State, and in 2001 scored a front of the house job as food runner at Postrio during the reign of Steven and Mitchell Rosenthal (now the forces behind Town Hall and its restaurant sibs). He occasionally helped out in the kitchen, eventually landing the position of Hot Prep, lowest rung on the kitchen ladder. Newton cut his teeth on staff meal and stocks, later rising through the ranks.

"The Rosenthal brothers gave me an unbelievable opportunity to be part of the kitchen crew there and I jumped at it," the 30-year-old chef told us. "Mitchell was just so passionate, and Steven was really good on the business side of things."

In 2005, Newton was opening sous chef at Redd in Yountville. For the Kimpton Group, he worked as a consultant under Jan Birnbaum on a steakhouse project in Boston. Newton became executive chef at Baraka in late 2007, a position he held till the Potrero Hill restaurant closed at the start of the year.

Newton picked up the chef's clipboard at Fish & Farm three and a half months ago, overseeing a reconcepting that included a menu overhaul. "I like to take familiar things and do them really well," he said. Newton's Bacon Tater Tots are one of those familiar things, and in August, 7x7's Bits + Bites named F&F's burger one of the city's best. Earlier this month, Newton engineered the launch of American Box, a takeaway lunch service at Fish & Farm -- the chef describes it as "a cool little really fresh ingredient-driven lunch." He blogs at Chateau!, is an avid Twitterer, and recently opened up to SFoodie contributor Mary Ladd about his inspirations, staying positive, and the vital importance of Lil Wayne. Drop it like it's hot. -- J. Birdsall


SFoodie: Flavors, ingredients, or techniques you have an irrational attachment to?

Newton: Mustard. I want to add it to everything, one of my first mentors once told me: "mustard and bacon makes everything better." Still words to live by. I had already experienced the love of mustard in my life. When I was really young I would put mustard on crackers as a snack.

Most overrated food trend in S.F.?
I want to try to be positive about anything chefs or restaurateurs are doing. Especially in these trying times, whatever is working for people and making guests happy, I'm all for. We all need to support each other, and that is what the San Francisco restaurant scene is about, a tight community that works together, shares ideas and tips, and so forth.

Biggest screw-up in the kitchen?
Nothing really big. It's always something small and humorous, like accomplishing a full, long day of perfect prep and then getting that first happy hour order and realizing that the fryer has not been turned on. The bacon Tater Tots now take 10 minutes instead of two. Nothing more frustrating, yet funny at the same time.

Favorite off-night restaurant?
We [Newton and girlfriend Grace Nguyen] always love Nopa and Beretta for our go-to late-night and off-day choices. We tend to eat a lot more brunches on my one Sunday off a week instead of dinners out. We like to cook a nice small meal for dinner on Sunday after our post-brunch nap. It usually consists of a small salad, a cheese plate, and pasta, chased down with a simple European wine.

Chef from another genre or cooking style who inspires you?
Charles Phan really inspires me -- his restaurants are so dialed in. The Slanted Door is still always busy and delicious, the flavors are so vibrant, the service and wine is great. Heaven's Dog is a remarkable idea, fusing great Chinese food with some of the best cocktails in the city, and open late. The thought work, attention to detail, and product consciousness is what makes him so inspirational. I want his restaurant empire in the future!

Local Food Luminaries Reveal Their Trans-Fat-Fortified Guilty Pleasures

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Ken W! via Flickr
In-N-Out is an off-night fave
Ever wonder what Gary Danko pigs out on when he's not, you know, piercing a ripe Livarot? Sfist asked what it calls local foodie royalty (including SF Weekly critic Meredith Brody) to name their favorite junk foods. Catch a whiff of the fake popcorn butter and high-fructose corn syrup and feel as one with kings.

Tags: food blogs

Total Freedom and Tons of Running Around: Chef Chris Kronner Describes Prepping for the Thursday Night Pop-Up at Bruno's

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Brooksopher via Flickr
Kronner in Serpentine days, with pig's head
What's the day-to-day of running a pop-up restaurant? Chris Kronner, chef at the Thursday-night pop-up at Bruno's on Mission, told SFoodie it's a combination of exhaustion and the exhilaration that comes from calling your own shots.

Kronner cheffed at Slow Club and Serpentine before partnering up with Sam White and other restaurantistas in the conceptual OPENrestaurant project. Last week in Bruno's 40-seat Pussycat Lounge, Kronner's kitchen team did 110 covers -- a slam, more or less. On May 7, the pop-up's opening night, Kronner didn't leave the kitchen till 5:30 a.m.; last week, he slipped out at 3:15. But he's hardly crying about a 20-hour-plus day or two.

"We're doing it for ourselves," Kronner said, speaking for the pop-up's team. "It's total freedom, a creative outlet. Everything about it is intentional - that's what drives us." For Kronner, the Thursday night dinner is essentially a full-time gig, which makes him unique on the team. White still works on the floor at Chez Panisse, while the rest of the staff punch the clock at places like Pizzaiolo and Beretta.

Is There Life after Orson? New Absinthe Pastry Chef Luis Villavelazquez Seeks to Find Out

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Villavelazquez: Ballsy
It's been a month since up-and-coming pastry whiz Luis Villavelazquez defected from Orson to Absinthe. How's he feeling? Tired. SFoodie checked in with the pastry chef the morning after his graveyard cook called in sick - Villavelazquez had just worked straight through the night, since Absinthe's pastry department is 24/7, knocking out breakfast pastries and sweets for sister cafe Arlequin, besides the more elaborate desserts it produces for the restaurant.

At Orson, Villavelazquez engineered meticulously layered desserts with ballsy juxtapositions that worked (think Nicoise olives in a chocolate ice cream sandwich). How's the pastry chef's style melding with Absinthe's altogether Frenchier, more conservative cuisine? Villavelazquez suggested he's engaged in a gradual remaking. Shipments of flavorings and spices he's ordered are only now arriving: Alsatian pinecone extract, white cheddar powder, violet extract ("lavender has played out," he told us; "violets are going to take its place.") He's already unveiled olive oil cake studded with (take a guess) Nicoise olives, with candied violets, lemon-rhubarb yogurt, and chartreuse. And he's developed a violet crème brulee, served with juniper and cassis sauces and (once they come into season) fresh blackberries.

Butchery and Bacon-Spiked Bourbon: Bloodhound Pig Roast Turns Hacking into a Spectator Sport

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One of the evening's victims, in mid-takedow
Last night's pig roast at SOMA bar Bloodhound saw two superstars of the city's pig culture go head-to-head in a hack-off. Call it more a demonstration of competing butchery styles than an Iron Chef smackdown: Chicharrones king Ryan Farr of 4505 Meats and Fatted Calf's mortadella meister Taylor Boetticher showed off radically different ways of dismembering. By the end of the evening, it wasn't clear who won. Though, clearly, the losers were the pair of 200-pound pigs, butchered and grilled for the delight of dozens of spectators, who'd each paid 25 bucks to watch an event that felt part ritual, part WWE-style asskicking.

"Can you believe this thing was alive four days ago?" someone in the crowd yelled out, as Farr used a small hatchet to behead his pale, waxy-looking victim, a 4- to 6-week-old pig raised in the Capay Valley. "I'm gonna send this to all my PETA friends," said a guy snapping pics. "It's like surgery," said another, "only it ends up tasty." Farr's approach was methodical: prying open the ribs, cutting the bones away from the spine. He jimmied out the red backbone and held it up for the crowd. "That is so fucking great," someone said. "It's like Mortal Kombat."

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Taylor's bacon-flavored old fashioned

Meanwhile at another table across the bar, Boetticher was dismembering more than deconstructing. He removed the legs, still attached at the pelvis. From an array of containers before him, the charcuterie maker seasoned the various cuts, some of which he rolled and bound with butcher's twine. Cheryl Magat, who'd come from San Bruno to watch, waxed philosophical. "It's interesting how this has become entertainment. Like, suddenly it's cool to stand around a bar, drinking, and watch this while hip-hop music is playing," Magat said. "I think it really speaks to how urban we've all become."